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Winter, 1759).įacsimile of the first printed edition published by Arte Tripharia, MFa 11, ed.
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These new editions are transpositions of Sei Duetti a due Flauti Traversi op. First modern edition pre 1973 by Hänssler, HE 11.218.Ħ Duetti Op. First modern edition in 1964 by Hänssler, HE 11.202.ĭuets, for Alto (treble) recorder, Vol. These pieces, in the ‘sensitive’ style, are suitable for the alto (treble) recorder.ĭuets, for Alto (treble) recorder, Vol. Print: Les Cahiers du Tourdion (Tourd 00122). Sonata a Flauto solo e Basso (1752), Sonata a Flauto solo e Basso (1750), Sonata a Flauto solo e Basso (1749).įacsimile: Musica, Musica (Mark A. The publisher Edition Baroque announced that they intend to publish all recorder sonatas by Sammartini in due course. Jacobi: Edition Baroque (published 2006). Some of the sonatas published in this collection also show stylistic elements that point towards a later period. As David Lasocki remarks in his PhD dissertation (1983): ‘no one, in fact, tried harder than Sammartini to turn the recorder into a flute’ (p.
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#Simple recorder music duet professional
It was probably written for one of the few remaining professional recorder players in England and shows that a different sound world was envisaged for the instrument. However, this piece was clearly intended for the recorder and is therefore significant. Both harmony and melodic lines are stylistically reminiscent of elements that have become familiar from later pieces for traverse flute from the mid-eighteenth century ‘sensitive’ period. This piece belongs to the late baroque but contains some forward-looking musical elements. Later works from the impressionistic and expressionistic periods have not been taken into account. These are followed by the new editions of the Viennese classical period, the Biedermeier period, the French romantic, and the English post-romantic period.
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To start with, there is the original music of the late baroque period, which shows some elements of the ‘sensitive-’ and classical styles. The following list is intended to give some guidance. To date, only few pieces of the extensive nineteenth century and partly of the twentieth century repertoire for these instruments have become available in new editions. It is true that both traditional recorders and their more recently developed standardized counterparts such as the English flageolet, the French flageolet and the Viennese Csakan were played throughout the classical and romantic period. New editions of original works from the classical and romantic periods, in chronological order
#Simple recorder music duet free
Here it is, downloadable and free for everyone. But who are the composers, what are the pieces called, and where have they been published? In order to make your search as easy as possible I have compiled a list of works, in chronological order, that are currently available. Yes, of course there is – quite a lot in fact. I am often asked whether there is any classical and romantic repertoire for the recorder.